“The Clearing“, an original Hulu series, debuted with less fanfare than one might expect, but its quiet launch drew me in for a double-episode viewing spree. The series is a visual adaptation of the book “In the Clearing” by J. P. Pomare, a New Zealand author known for his debut novel “Call Me Eve,” in which an amnesiac protagonist delves into her own past. The adaptation is helmed by showrunners Matt Cameron and Elise McCredie.
Pomare’s signature hallmarks are his deep psychological insights and complex interrelations, and his penchant for unpredictable, expertly crafted plots that ratchet up the suspense. This series is no exception, evolving into a mystery-thriller of a woman raised within a cult – the real-life New Age group “The Family” based in Australia – wrestling with the past and present, misunderstandings and truth, freedom and bondage.
Teresa Palmer‘s performance as the lead character is truly remarkable, bringing to life the intricate layers of her character with finesse. But while Palmer’s portrayal is compelling, it’s the chilling presence of Miranda Otto, leading “The Family,” that truly inspires a sense of dread, all the while being fascinatingly magnetic. Julia Savage (seen previously in Blaze (2022)), who plays the teenage Amy, and the other young actors’ expressions are equally praiseworthy.
The musical score by Mark Bradshaw, although not instantly recognizable from his past works, offers a delicately balanced suspense thriller soundtrack that adds another layer of intrigue.
The narrative and direction both favor a slow burn, which indicates the series has much more to offer as it unfolds. I’m excited and ready to immerse myself thoroughly until the end, eagerly awaiting the twists and turns that lie ahead.